How To Write a Killer Guitar Riff – Part One

How to Write a Killer Guitar Riff

How to Write a Killer Guitar Riff

In the guitar world there is a lot of competition to be original. If you are a guitarist in a band, the most frustrating obstacle you will face is finding the songs that will set you apart from all the rest. Putting aside all of the rules for writing music, the one thing that will give you a song that your audience will remember is having a few awesome riffs.

A riff is simply a short, repeatable line of music that sticks out from everything else in the song. You can look at a riff as a signature on a piece of paper… it identifies the piece of music.

You may be thinking, “This sounds great, but I don’t have the ability to think outside of the box like that.” The truth of the matter is that anyone can write an awesome riff.

The music industry wants you to think that you can’t sound as good as all of your favorite bands. Yes, many of them do have awesome material, but the majority of it does not require a music degree to write. You can use the tools you already have to write original and breathtaking lines that will blow your audience away.

In fact, some of you would do better than your favorite bands if you took the time to evaluate the tools you already have.

If you were a carpenter, would you go to work without insuring that you had all of the tools you needed to complete that day’s work? No. You would double check to make sure you had everything you needed. The same applies to writing music and riffs. Take a step back and ask yourself, “What do I do best?”

If you can slide around the neck of your guitar like it’s nobody’s business, than use that to your advantage when writing riffs. Likewise, if you have fast fingers, use that to help you develop your own style.

My one warning that comes with all of the above advice is to keep it short. The longer your riff is, the more likely your audience will forget how it goes. Even I forget the tune to some of the longer riffs I write, so how do you expect anyone else to remember the tune? The most famous songs of the last six decades were all ridiculously simple and easy to remember.

Taking your first steps.

Before you dive into anything involving riffs, there are a few simple but important steps you have to think about. These steps lay the foundation for success and will make playing your guitar far more enjoyable.

Choose a key. We all love to run to our guitars and play them until we get something that sounds good. The problem with this is we will reach a point where we don’t know what to do with it or what notes to play. Knowing what key you are in will solve these problems instantly. This also allows you to figure out all of the various scales you have available to you.

Run through the scales you know in that key. Try the major and minor scales and see what sound you like the best. If you don’t know what scales are avalable to you in a certain key, check out last week’s article.

Experiment using the techniques that you know. Try limiting the number of notes that you play and keep it simple.

Use both the lower and higher notes on your neck.

…Try the above and you’ll be well on your way to creating a solid riff.

The hook.

The hook is the riff that highlights the chorus. It’s the most important tune you will write throughout the entire song. It also sounds slightly different from your average riff in the sense that it has the characteristics of a melody.

What that means when translated is that it stands out like a vocal would stand out. The key to writing a hook is to make it repeatable. That’s why I like to use a few notes. You can use as many as you want, but it may become more complicated than you would like it to be.

Here is an example of a simple hook in the key of D:

Riff One

Riff One

…It’s simple and it’s catchy. All of the things you want to look for in a riff and the hook for your song. The word hook in the above context literally means to hook your audience into the music.

Many times you can spice up a riff dramatically by adding in new rhythms and picking patterns, as seen in our above example.

If we took the above riff and added more to it, we would end up with a melody (something you could sing to). This defeats the purpose of a riff. While writing melodies is quite fun and very necessary in song writing, it’s not what you want when writing riffs.

More Guitar Riff Examples

Here are a few riffs to get you started. Enjoy!

Riff Two

Riff Two

Riff Three

Riff Three

Riff Five

Riff Four

Riff Six

Riff Five

If your serious about learning to play the guitar then we highly recommend you read the Gibson’s Learn & Master Guitar review over at our sister website www.learntheguitarnow.com.

About Gary

Gary is the founder of Fretpoint.com and has been playing guitar for over 20 years. Fretpoint.com was setup by Gary to share his passion for guitars as well as to showcase some of the most exciting blues, rock and metal guitar playing talent from around the world.
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8 Responses to How To Write a Killer Guitar Riff – Part One

  1. dylan collver says:

    Ok I kinda get this but the thing I don’t get is what makes that first riff in the key of d?

  2. chris says:

    its in the key of d because most of the notes used are in the d major scale

  3. kirk hammett says:

    awesome!!!

  4. JP says:

    Cool approach, I normally just start jamming around, and try to get the creative juices flowing. I found out that sometimes, I’ll try to learn a new scale, and usually form learning it, a new riff comes out. I’ve been documenting all of my riffs on my website, guitarriffsonline dot com, haven’t posted in a while, but trying to get back on it.

    Thanks for the info!

  5. George says:

    These are some pretty nice techniques. I’ve just started so am trying to get some good tips. Am also in a band -were just starting out- so if anyones got some decent tips for us then cld u pls tell us

  6. Alex. S says:

    I’m more a rhythm guitarist. I play a little lead (2 or 3 riffs) but I was wondering how to write a catchy riff that I could alter slightly to use as rhythm throughout the song. Like Green Day did with ‘When I Come Around’. I’m into Punk, Rock and Grunge.

  7. Aashish says:

    actually… i wanted to be a lead guitarist but now i m a bassist of my band but i was wondering how to write a metalic riff of bass guitar that i could make new stuffs on my bass gutar…….

  8. james says:

    After playing for quite a few years now, I discovered a problem with my music voices; meaning after awhile my riffs began to sound the same, even though the scales were different, and timing changed. Example: if you only use power-chords for rythm, eventually you begin to same, using the same patterns from habit, or changing the progression, but still having the same sound quality. I used to combine judas priest, ozzy, metallica, and megadeth, slayer, etc, because they all sounded the same, and ran together. It got old, very old after awhile, so I had to add to my style. So for my leads I began to study classical; like for sweeping I used Paganini’s caprice #5, & #16. While for string skiping I went with Mozart, & for arpeggios, Vivaldi’s 4 seasons. Ending with tapping from Bach’s toccata & fuge, & Beethoven’s #5. These new voicings added a great deal of life, & breathed new life from the same old system I grew-up with. I enjoy metal, but classical adds new ranges, & colors.

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